Requiem of a Blade Runner ( and other screenplay spec samples and images )

- a superhero SUNMAN ( bold new 21st millennium hero ) extra - spec! BR2 TEASER TRAILER avi

a NEW added revision >> << this one physically FEASIBLE !

This above a small size sample of a ( rudimentary ) conceptualized model for Requiem . Find large size version via the extra " pizza slice " of the screenplay section link , where such a similiar structure would be found . Below's a preceding screenplay section - if you want to stay in sync read the below first . Note : night view of above below . HERE SEE IT ANIMATED AT NIGHT .

From a spec** Blade Runner - Sequel screenplay** I've written called : REQUIEM OF A BLADE RUNNER.

SCRIPT SAMPLE IS FURTHER BELOW !!

Version of this page with full resolution images here - takes about 2x longer to download

** this solely speculative , non publically utilized screenplay by Carman N. Keddy - **this section taken from this screenplay meant solely to demonstate Mr. Keddy's past writting history . He hopes in the future that this speculative screenplay might be given consideration in the event a future Blade Runner Sequel motion picture might be made . A past rough version of this same speculative screenplay was made available to Rutger Hauser a few years ago when he was in Halifax . Though I'm not sure whether he personally actually received it . In any case , I'd dropped off a copy for him ( Salter Street Films would be aware of this ) . It hadn't been in a formal state of rendering then ... - with short advance warning of around a week , I'd had no time to convert my extensive working story into formalized format . I'd dropped the copy off in any case ( via Salter Street Films ) since I thought Mr. Hauser might be interested by the compelling sequel story in it . A copy of this same screenplay has been also previously provided to a personal friend of mine . By no means implied any other connection to Blade Runner .

later click below link for a BladeRunneresgue backdrop as like could be found ( that is when this backdrop is given a further modernized transformation ) within my screenplay - think interior view of a two or three story high , 100th floor or so , penthouse apartment in the night

http://www.superherosunman.com/brtest.htm

AFTER viewing below more real cool Actual Pages of BR2 r HERE . Have patience - 4x longer dload time than this pg .

NEW : BR2 pseudo WEB RING sample site + Additional Page : from this particular pseudo site .

+ With sound version ( IE ) . + Here's a BR2 " Love Theme " Sketch Page . + a backdrop commercial AD site .

NEW : R. TYRELL CORPRATION'S www- site entrance pages .

( For a sample exerpt snippet from the end of my spec Batman script from a few years back - done just prior the Blade Runner , and after the Real Real Gone ones :: BM . ) About 3x the dload time of this page .

Deckard :

I don't much like you taking these risks . You might ...

Rachael :

( trailing off rather than overstate the all too true )

Be Spotted ? By Blade Runners . After all these .....

Deckard :

Yeah .. .

A glaring pause .

Deckard :

Don't like it . Some runners got long memories ..!

Rachael :

Men and their grudges . Think they'll ever get along without them ?

Hah .. ! With themselves , .. with .... creation ?

Deckard :

Why ask me ? I'm one of them .

Rachael :

Are you ?

Deckard :

( irked )

No , don't think we'll ever ... , quite .. get it right .

Rachael :

( unconvincingly , yet coolly sympathetic )

It's alright .

Eyes black .. , resigned to it , she turns and begins to walk away .

Deckard :

( now grinning dryly )

Yeah , easy for you to say ...

He abruptly strides beside her , stops her . Slips his hand about her wrist , tightens . Then draws her closer , though ... no closer .

Deckard :

No , I mean it ! Out in the open like this .

Rachael :

( haughtingly )

Exposed to the cold cruel world of .. of men ?

-------------------- Here I've skipped just a wee bit , onto below :

Rachael :

( plaintive , shrill , moistly brittle )

You said you'd never call me that .

Deckard :

I take it back ... , alright !!

God knows , if I could ....

Rachael :

Would you !?

Deckard seems confused , he sputters an attempt to reply - can't . Himself now the one trapped .

Rachael :

Change me ? If you could ... ? Exchange the old Rachael

for a ..warm ... ?

She tosses aside a cool puff of her breath into the cool damp foul air .

Deckard :

Human one ?? Don't know . No , I really don't know !

Can we drop this , huhn ?

Cold out here .

Rachael :

You know , I honestly don't know whether .. I am one .

I'm here aren't I . Isn't impossible to believe .. .

That butterfly in here , you don't think it's real either .

Deckard :

Don't know them too well . They ain't listed .

Sure it's real ? Seems incredible anything that .. .

Rachael :

Fragile ..

Could've survived ?

Rachael :

I'm sure ! But Replicants , you do , know .. well ??

Withour error . Just by .. watching ?

Deckard :

You want to run the gauntlet , fine .

Who'm I to cry wolf .. You see it , in the shop .

Look - I'm going over to Slim's . You coming ?

Rachael :

No . I'm - I'm tired .

Got this to attend .

Deckard :

Catch you later , ..then ?

Rachael :

Don't be .. too late .

Deckard :

Know me . Regular boy scout .

Boy scout ?

Rachael glares coolly at Deckard . Deckard's bemused grin slacking into frustrated incomprehension . Rachael abruptly turns , and strides away into the heavy , rain dank , night , taking with her an aura of artificial iridescence , like the neon blinking city that engulfs them .

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NIGHT VIEW , on approach to RT'S , with Skimmer traffic drawn to it like moths to an irreresistable flame ( here's a broad stroke impression ) :

Image Variations and Special Effects options regarding the above image can be found here > ART8morespectacle .

( NOTE : above ART 8 link takes about 3X the download time of this current page . )

Here's also a rudimentary impression of another scene's backdrop :

This scene's backdrop has much to do with a futuristic amalgamation of Mercer with technology & past religions .

In a holograghically infused environment , the characters are literally drawn towards the light at the end of this envelopingly hallucingenic , tunnel like journey , as flashes of iridescent light spark amid the deep smokey red mouve and dark olive , blue black , aura of the seemingly endlessly immense , yet meanwhile claustrophobically enwrapping chamber . The sizzling discharges make the chamber itself seem electrically alive . Upon entrance into the chamber , the central aisle at first seems to be impossibly endlessly long , and steeply uphill , and the light / way ahead impossibly remote . This is consistent to the whole Mercer/ subtext of the original novel on which Blade Runner is based : Do Androids Dream of Electric Sheep by Phillip K. Dick . Of ascending over a long wearisome journey to the " top of the heap of beingness and empathy " . There to fall back " to the boneyard " only to spark begin the whole cycle and burdensome journey of life all over again .

This backdrop in stark contrast to the scene / backdrops " seen " just prior and after this scene !

( Not " all " the features and surprisingly enveloping effects of this above environment have been mentioned . )

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For an exerpt from my first written screenplay REAL REAL GONE > http://www.superherosunman.com/rrg.htm

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bold new superhero of the 21st millennium

www.superherosunman.com

 

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